PANTECHNICON Recordings

It’s incredible to think that the very first PANTECHNICON Recordings release, the one that started it all and gave the label its name, turns ten years old on Sunday, September 5, 2021! We’re starting the celebration a couple of days early to coincide with Bandcamp Friday, where Bandcamp waive their fees, allowing artists extra benefit from sales. To give even more listeners access to the album “Guy Hatton’s PANTECHNICON”, we’re removing the fixed pricing and making it a “pay-as-you-feel” item, in line with the pricing policy we apply to all our other releases. If you haven’t already checked out this fine album featuring Guy Hatton (Guitar), Graham Clark (Violin), Phil Meadows (Saxophones), Dave Evans (Keyboards), Roger Inniss (Bass) and Jose Williamson (Drums), there’s never been a better time. Here’s the link:

Guy Hatton’s PANTECHNICON on Bandcamp

Bandcamp Friday runs from midnight to midnight Pacific Time on Friday September 3.

Guy Hatton’s first release as part of the move Forward Into ‘22 is “Harlequin Fields (Part 2)”. Available from Bandcamp from September 17, 2021, this miniature epic will also be streaming on Apple Music, Spotify, Tidal and all major platforms. Here’s a sneak peek:

For the very first time, we’ve made Guy Hatton’s solo catalogue from 2013 to 2018 available on all the major streaming platforms. 22 tracks, with a running time of two hours and forty minutes, this compilation includes the EPs “Daylight” and “When The Moon Is Fat”, the mini-album “Switch On Your Electric Light”, the album “Feedback Alley” and the singles “Bad Hombres” b/w “”Lady Viola”, “Clockwork Dog” b/w “Aurelija Dub”, and “Nitrogen Neck” b/w “Hope You’re Doing Marvellously Well”.

Episode 7 of the ongoing Drive To ‘21 is the final single in a series of three rediscovered tracks by Guy Hatton and Quentin Churchill’s band bigEZ, a rock/funk/soul project which was in force from approximately 1985 to 1994. In 2020, a number of unreleased recordings from this period were found in the archives, remastered and prepared to be launched publicly for the very first time. The other songs on this series are “Everything Under The Sun” and “Countless Ways”.

Quentin Churchill: Vocals
Debra Robson: Backing Vocals
Guy Hatton: Guitars, Keyboards and Programming.

Written by Guy Hatton and Quentin Churchill, recorded at Lion Studios, Leeds UK. Produced by Guy Hatton.

For more information and to be alerted when new music is released, follow us on Bandcamp:

Picking up on a theme first briefly introduced at the very end of “Crystal Ball Miranda” from the “I Am Concentric” album, the fully fleshed out version, now entitled “The Faraday Café” forms Episode 6 of the ongoing Drive To ‘21.

Guy Hatton: Guitars, Keyboards and Programming.

Written and produced by Guy Hatton, recorded at PANTECHNICON Labs, Rochester UK.

For more information and to be alerted when new music is released, follow us on Bandcamp: